What defines a classic film? The term can vary. Some consider the iconic movies from the 1930s and 1940s that influenced generations of directors. Others point to cult classics that gained appreciation over time despite mixed initial reactions. Then, there are the modern classics from the past few decades that continue to resonate with audiences.
There are numerous classic films I have yet to experience, such as Gone with the Wind. I make an effort to watch these films, often regretting not seeing them sooner once I finally do. This year, I caught a couple on my list and eagerly look forward to rewatching them in the future.
The Godfather Part II
Featuring an iconic performance of a generation
One positive outcome of having to stay home during the pandemic was the opportunity to watch classic films. While I had seen The Godfather, I had never experienced The Godfather Part II in its entirety until this year. It was a revelation, and I now firmly believe it’s Francis Ford Coppola’s finest work in the trilogy.
The sequel unfolds in two timelines: one follows a young Vito Corleone (Robert De Niro) as he transitions from a Sicilian immigrant to a powerful crime boss in New York, while the other takes place in 1958, showcasing Michael Corleone (Al Pacino), the new head of the Corleone family, as he seeks out a traitor in his ranks. While acting is often subjective, Pacino’s portrayal of the tragic hero-turned-villain deserves a spot on any list of the greatest film performances.
L.A. Confidential
Murder and corruption within the LAPD
The year 1997 was dominated by Titanic, which made headlines during awards season with a record-equalling 11 Oscars. Among the films that lost the Best Picture award to Titanic was L.A. Confidential, a neo-noir crime thriller directed by Curtis Hanson, set in the 1950s. It was a film I anticipated enjoying but kept postponing. I finally watched it earlier this year and, unsurprisingly, found it captivating.
The story revolves around rookie LAPD sergeant Edmund Exley (Guy Pearce), who is keen to make a name for himself. Detective Jack Vincennes (Kevin Spacey) focuses more on his Hollywood persona than actual police work, while Bud White (Russell Crowe) tackles situations with a hands-on approach. These three officers become embroiled in a murder investigation that uncovers deep-rooted police corruption. The film’s stylish noir aesthetic and its Los Angeles setting enhance its impact.
Working Girl
A standout romantic comedy of the 1980s
When discussing the quintessential romantic comedy, many might cite When Harry Met Sally…. While I don’t disagree, I believe Working Girl, released just a year prior, deserves similar recognition.
The film follows Tess McGill (Melanie Griffith), a secretary in New York City who aspires to be a top executive but faces gender bias in her efforts. After becoming assistant to partner Katharine Parker (Sigourney Weaver), Tess believes Katharine has taken her idea and decides to impersonate her while Katharine recovers from an injury. Complications arise when Tess develops feelings for a businessman (Harrison Ford) she’s trying to impress. Working Girl combines a talented cast, an engaging plot, and an optimistic conclusion, making it a memorable film.
To Live and Die in L.A.
A gritty crime thriller from the 1980s
Upon first viewing To Live and Die in L.A. earlier this year, I couldn’t help but think of its sleazy tone. This film features characters that navigate a murky world, often engaging in morally dubious actions. It might be my favorite non-horror film by William Friedkin.
In the film, just days before his retirement, Secret Service agent Jimmy Hart (Michael Greene) is murdered by counterfeiter Rick Masters (Willem Dafoe). His partner, Richard Chance (William Petersen), is driven by revenge and vows to take down Masters. Along with a new partner (John Vukovich), Chance delves into the criminal underworld of Los Angeles. The film includes one of cinema’s most remarkable car chases, cementing it as a quintessential neo-noir thriller.
Manhunter
Michael Mann’s interpretation of Hannibal
Don’t judge a movie’s worth by its box office success. Despite Manhunter earning under $9 million from a $15 million investment, it showcases some of Michael Mann’s finest work. While I adore The Silence of the Lambs, I had no idea until recently that Mann first portrayed Hannibal Lecter in Manhunter.
The film follows former FBI profiler Will Graham (William Petersen), who is called back by Jack Crawford (Dennis Farina) to track down a serial killer known as the Tooth Fairy (Tom Noonan). In this quest, Will seeks the help of Hannibal Lecktor (Brian Cox), who previously inflicted trauma on him, forcing him into early retirement. With performances in To Live and Die in L.A. and Manhunter, it’s perplexing that Petersen wasn’t a household name, particularly in crime dramas. Manhunter remains the superior film compared to Red Dragon.
More films to check out this month
With countless options available on streaming platforms, you’re unlikely to run out of things to watch. For Oscar-winning films, check out Hulu for titles like Avatar, Brokeback Mountain, and Sentimental Value. If you’re looking for something new this weekend, consider watching How to Make a Killing on HBO Max or Voicemails for Isabelle on Netflix.
